Just as the sun rarely sets in this place, Midsommar wears its audience down like they’ve been strapped under a giant heat lamp.
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In cinema one of the most engaging of elements is a filmmakers ability to provoke, to entice conversation, and have several likeminded people find themselves miles apart in their own interpretation of art, how we can all watch the same thing and yet each seem to watch something so different to the next. In that regard, Darren Aronofsky’s mother! is an astounding triumph, as a feature we can all attempt to decipher and deconstruct and yet seemingly get no closer to being ‘right ‘ for where…
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There is a torturous, biting audio that surrounds Yorgos Lanthimos latest surreal picture, The Killing of a Sacred Deer. It drones on from scene to scene, sometimes leaving completely, but lurking alongside the visual, ready to add that piercing sonic climax.

We follow cardiologist Steven Murphy (Colin Farrell in full black comedy form, wearing a survivalist beard) as he navigates life or death karma in the form of deranged teenager, Martin (Barry Keoghan). He’s polite and friendly…
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As haunting as It can be, what really makes the film special is the authentic dynamic between the young actors.
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Even those who think they’ve seen everything might be unprepared for how hard The Substance goes.
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As a whole, Kinds of Kindness is always intriguing and just satisfying enough.
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Even if you don’t understand it, I Saw the TV Glow will stick with you like a dream that lives rent-free in your subconscious.
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Some will call Bones and All grotesque. Others will call it grotesquely romantic.
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