Ben Wheatley’s Free Fire never regains it’s excellent momentum from the opening exchanges and becomes slightly monotonous when it should be thrilling.
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Ben and Joshua Safdie were about due for a breakout hit and it looks like they have one on their hands, with their indie heist gone wrong picture, Good Time.
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With a myriad of plot holes, it’s a film you might not want to take at face value, with an injection of irreverence, and a playful nature that just about lets it off the hook. Just.
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The Fate of the Furious further demonstrates why this franchise is everything that mindless escapism should be.
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While Braff’s preceding pictures strived tirelessly to not be generic, this can be described as very little else.
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