Movie Reviews Editor's Picks tagged Comedy

  • Paddington 2 Review

    Paddington 2 is a truly glorious, charming and tender piece of cinema.
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  • Downsizing Review (61st BFI London Film Festival)

    Alexander Payne is one of cinema’s most brilliant and consistent directors to come into the fold in the last two decades with films that have not only balanced heart and humour to wonderful effects but bring us some of the most eclectic group of characters. Whether it was Miles & Jack as they made their way through the luscious vineyards of California, Warren Schmidt and his travelling RV or…
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  • The Disaster Artist Review (Toronto International Film Festival)

    Tommy Wiseau’s mystery has captivated the underbelly of pop culture for more than a decade, ever since he unleashed The Room on audiences in 2003. A twisted, undecipherable romantic drama, hailed as the “best worst movie” of all time, it has left a unique footprint in cinema, one that brings folks together, gets them laughing and begging for answers to questions like: Who is Tommy Wiseau,…
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  • The Hitman's Bodyguard Review

    Absurd, irreverent, playful, over the top and completely bonkers in parts – but it’s fun and engaging with it.
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Movie Reviews tagged Comedy

  • Jumanji: Welcome to the Jungle Review

    Jumanji: Welcome to the Jungle is a sequel that shouldn’t work. It’s about twenty years too late, the original film’s star is no longer with us, and nobody really asked for this story to continue. Strangely enough, though, director Jake Kasdan has made a successor that’s much more entertaining than it has any right to be.
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  • Battle of the Sexes Review

    While charming at times, and easy to indulge in at others – given the two filmmakers at the helm it was hard not to anticipate a film with a little more ingenuity than this.
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  • Paddington 2 Review

    Paddington 2 is a truly glorious, charming and tender piece of cinema.
    Read More »

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  • Three Billboards Outside Ebbing, Missouri Review

    Three Billboards Outside Ebbing, Missouri may not be as rewatchable as McDonagh’s previous two films, but it is his most mature, timely, and important picture to date.
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