Just as the sun rarely sets in this place, Midsommar wears its audience down like they’ve been strapped under a giant heat lamp.
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With his follow-up movie, Us, Jordan Peele further proves that he’s the real deal, cementing his place one of modern filmmaking’s finest.
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Just when it looks like Happy Death Day 2U may run the risk of literally repeating itself, the screenplay flips the formula on its head and takes us to uncharted territory.
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In cinema one of the most engaging of elements is a filmmakers ability to provoke, to entice conversation, and have several likeminded people find themselves miles apart in their own interpretation of art, how we can all watch the same thing and yet each seem to watch something so different to the next. In that regard, Darren Aronofsky’s mother! is an astounding triumph, as a feature we can all attempt to decipher and deconstruct and yet seemingly get no closer to being ‘right ‘ for where…
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The past decade has brought us numerous movies and shows in the vein of Stephen King, most notably Stranger Things. The Black Phone perhaps comes the closest to replicating King’s best works of terror.
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Crimes of the Future has Cronenberg’s surreal stamp, but it lacks interesting enough characters and ideas to justify its sluggish pace or underwhelming resolution.
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A bit like It Follows, X provides commentary on sex’s role in horror movies.
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If you’re looking for something original, this movie is certainly Fresh.
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