Category: Reviews
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Black Adam Review
Somewhere between the lighthearted fun of Shazam! and the gritty slow motion of Zack Snyder, you have Black Adam. Read More >
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Till Review
Till is a sincere portrait of a tragedy and a mother’s undying love. Read More >
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Halloween Ends Review
Halloween Ends tries shaking up a familiar formula, but after a while, it feels like director David Gordon Green and company have run out of ideas. Read More >
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TÁR Review
While we go into every Blanchett picture expecting a great performance, she unearths what could be a career-best in TÁR. Read More >
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Amsterdam Review
Amsterdam wants to be a murder mystery, a conspiracy caper, a buddy comedy, a war picture, an alternate history movie, and a commentary on political corruption. While its ambition is admirable, the execution isn’t especially fresh or fun. Read More >
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Bros Review
When it comes to across-the-board representation, few mainstream LGBTQ+ movies have gotten it right like Bros. Read More >
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The Railway Children Return Review
We live in an era of legacy sequels. The Railway Children Return (or Railway Children as it’s being marketed in some areas) is among the more expected. Read More >
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Blonde Review
At nearly three hours, Blonde can be familiar, but de Armas’ performance is one of a kind. Read More >
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Pearl Review
Although visually quite different, Pearl and X are thematically intertwined. Read More >
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The Silent Twins Review
On craftsmanship and acting levels, The Silent Twins is worth seeking out. On a storytelling level, it’s emotionally distant, but maybe it’s supposed to be. Read More >
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