Category: Reviews

  • Annabelle Comes Home Review

    Annabelle Comes Home delivers what audiences have come to expect and longtime fans of this franchise likely won’t be disappointed. Read More >

  • Happy Death Day 2U Review

    Just when it looks like Happy Death Day 2U may run the risk of literally repeating itself, the screenplay flips the formula on its head and takes us to uncharted territory. Read More >

  • Happy Death Day Review

    When Edge of Tomorrow came out a few years ago, everybody wrote it off as a Groundhog Day knockoff with explosions. Against all the odds, though, Doug Liman’s film managed to be clever, funny, and fresh despite its familiar premise. The same can be said about Happy Death Day. Read More >

  • Atomic Blonde Review

    At its best, Atomic Blonde ranks alongside the best action flicks of the decade. On the whole, though, it’s just solid summer escapism with several kickass moments. Read More >

  • You Were Never Really Here Review

    At less than ninety minutes, Ramsay and editor Joe Bini manage to make You Were Never Really Here a film that feels simultaneously deeply rich and incredibly sparse. Read More >

  • Inferno Review

    If you’re a fan of the franchise, chances are, after seeing this you’ll remain one. But if not, it’s rather unlikely Inferno will convert you. Read More >

  • The Girl on the Train – Review

    Tate Taylor takes on the unenviable task of adapting a bestselling novel, by bringing Paula Hawkins immensely popular The Girl on the Train to the silver screen – and he’s done so in an accomplished, if somewhat underwhelming fashion. Already changing the film’s location from London to New York, the lead role of Rachel Wilson… Read More >

  • The 9th Life of Louis Drax – Review

    Not for the first time, director Alexandre Aja has presented a film indelible in tone and atmosphere with The 9th Life of Louis Drax, but one that struggles to engage or compel in a way that it really should. Read More >

  • Nerve – Review

    Though Nerve is a flawed film, there’s certainly a pertinent, important message to this unique slice of contemporary cinema. Read More >

  • Three Days of the Condor – Review

    Robert Redford is always on the move in his pictures. In Butch Cassidy and the Sundance Kid, he was on the run from the law; in The Sting, he’s constantly circling his mark; and in A Walk in the Woods, he’s simply walking. The peak-Redford era hit Three Days of the Condor, receiving a magnificent… Read More >