Category: Reviews
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Our Brand is Crisis – Review
If you’re looking for a much better movie about the messy political game, check out out The Ides of March. Compared to that film, Our Brand is Crisis is basically what Bernie Sanders is to Hilary Clinton. Read More >
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The Intern – Review
“in a cinematic landscape where death and destruction are prevalent themes, it’s of great joy to indulge in something so lovely and endearingly gentle.” Read More >
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Miss You Already – Review
Miss You Already is “not a film that demands pity about a brave young woman, it’s more realistic portrayal, that makes the viewer work hard to empathise with the lead role”… Read More >
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Just Jim – Review
A staggeringly creative, resourceful piece of filmmaking, displaying a very unique, distinctive vision, without ever compromising on the narrative at hand. Read More >
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A Walk in the Woods – Review
In the end, we have a film that often feels like listening to one of your grandpa’s boring, old stories you’ve already heard a million times before. You know all the wisdom he’s going to impart, you know all the jokes he’s going to tell, and you know that he’s not going to offer anything… Read More >
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Grandma – Review
This has arguably been the best summer for women in film ever, making Grandma an especially fitting dramedy to close out August with. Read More >
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Gemma Bovery – Review
“This light, frivolous and playfully meta adaptation is undoubtedly an enchanting one – but is lacking in profundity.” Read More >
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Ricki and the Flash – Review
Ricki and the Flash is another wonderful outing from Demme that’s ultimately about modern families VS traditional families. Read More >
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Mistress America – Review
“There’s just a real charm to this feature, as the striking cinematography and indelible soundtrack alone make for a film with such atmosphere”… Read More >
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The Cobbler – Review
Riding on the turd-coloured rainbow that’s currently trailing Pixels, the other Adam Sandler movie on our radars released in the next month is The Cobbler. Do you remember the trailer? It starts with such promise; it looks like a gritty, grim drama, starring Adam Sandler as Max Simkin, a performance where his finger is firmly… Read More >
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