Author: Craig Skinner
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Risk – Review (Cannes Film Festival)
Laura Poitras’ Risk is a fascinating document and one that asks a great deal of important questions. Read More >
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The Neon Demon – Review (Cannes Film Festival)
A frequently nasty film, The Neon Demon represents both the zenith and nadir of Nicolas Winding Refn’s career. Read More >
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After the Storm – Review (Cannes Film Festival)
Hirokazu Kore-eda’s After the Storm is a subtly moving, witty and wonderfully observed human drama. Read More >
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It’s Only the End of the World – Review (Cannes Film Festival)
It’s Only the End of the World, Xavier Dolan’s followup to the electric Mommy, is hysterical to the point of being utterly exhausting… Read More >
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Julieta – Review (Cannes Film Festival)
Pedro Almodovar’s Julieta is a sumptuous but somewhat underwhelming film. Read More >
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The Unknown Girl – Review (Cannes Film Festival)
The Unknown Girl certainly ranks as one of the weaker entries in the Dardenne brother’s, still stunning, careers. Read More >
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The Red Turtle – Review (Cannes Film Festival)
The Red Turtle, Studio Ghibli’s first co-production, is a castaway picture that is a sublime achievement in both animation and storytelling. Read More >
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Endless Poetry – Review (Cannes Film Festival)
Endless Poetry is almost certainly Alejandro Jodorowsky’s most emotionally wrought and touching film to date. Read More >
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Bright Lights: Starring Carrie Fisher and Debbie Reynolds – Review (Cannes Film Festival)
“when you have subjects this fascinating and access this good, perhaps just sitting back and letting them tell their own stories is not such a bad way to go”… Read More >
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Personal Shopper – Review (Cannes Film Festival)
Whilst there are missteps in Personal Shopper, including some special effects moments that feel a tad silly even, there is more working here than isn’t. Read More >
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